Skip to main content

JUMBO

JUMBO

Regie Zoé Wittock
Frankreich/Belgien/Luxemburg 2019

Produktion Anaïs Bertrand, Annabella Nezri, Gilles Chanial
Buch Zoé Wittock
Kamera Thomas Buelens
Montage Thomas Fernandez
Musik Thomas Roussel
mit Noémie Merlant, Emmanuelle Bercot, Sam Louwyck, Bastien Bouillon, Tracy Dossou

Französisch
engl. UT · 94 Min.

Mi. 26.02. 20:30 Uhr Urania
Do. 27.02. 17:00 Uhr CinemaxX 1
Fr. 28.02. 17:00 Uhr Cubix 8
So. 01.03. 12:30 Uhr Zoo Palast 1

Er ist stark. Er leuchtet in allen Farben des Regenbogens. Er wirft Jeanne auf seinen vielen Armen durch die Lüfte und hält sie doch ganz fest. Er ist Jumbo, ein Fahrgeschäft. Und Jeanne, die in einem Vergnügungspark nachts den Müll einsammelt, liebt ihn. Dass die scheue junge Frau eine Maschine begehrt, sorgt für Irritation. Nicht nur bei ihrer Mutter, die sich in Sachen Sexualität sonst freizügig gibt und sich aber nun für Jeanne schämt. Auch bei Parkleiter Marc, der sie lieber an seiner Seite sähe. Zoé Wittock präsentiert in ihrem Debütfilm ebenso radikal wie selbstverständlich eine Liebe, die kribbelt wie ein Sturz vom Freifallturm und rempelt wie eine Kollision im Autoscooter.

He is strong and he shines in all the colours of the rainbow. Using his many arms, he throws Jeanne into the air, all the while holding her tight. He is Jumbo, a fairground ride. And Jeanne, who collects rubbish in the amusement park at night, is in love with him. However the shy young woman‘s affection for a machine causes a lot of dismay: Her mother, who is usually very open when it comes to sexuality, feels ashamed of Jeanne. And Marc, the amusement park director, would prefer to have her at his side. In her debut film, Zoé Wittock portrays an eccentric love affair that leaves a tingling sensation like a high-adrenaline freefall ride and is jolting like a collision on the dodgems.

Comments

Popular posts from this blog

About the Perception of Women in Spain in the 90s

Las Niñas is a film in this year’s Generation program with a strong young female protagonist first becoming aware of the world’s inequalities between boys and girls and its injustices. It is set in the 90s in Spain. I was lucky enough to get in tough with the films director Pilar Palomero and ask her a few questions: freie Generation Reporter: Can you tell me a bit about the background of the film? Pilar Palomero: The film is not autobiographical, but a lot of my childhood experiences have flown into Las Niñas. A few years ago, when I was thinking about making a film about my education, I found my notebook from my religion class in grade 6. I read an essay, which is exactly the one that appears in the film, where the nun explains the girls sexuality. At the first moment I laughed at the thought of what kind of education we got but then I started to realise how contradictory it was. It was 1992 and they were talking to us about sexuality, chastity and only having sex in the marriage...

Between uproars and spa days

Hong Kong, July 28, 2019. Screaming, tear gas, gunfire. One, two, retreat from the front line, push forward. We are in the midst of Hong Kong's protests and uprisings last summer. We march with the masses, hiding behind the shields, seeing our comrades shouting commands, keeping moving, fainting, being carried away. Everything is chaotic and frightening, but still organized and controlled. For 15 minutes I hold my breath, my heart is racing and at the same time keeps skipping beats. It is suffocating. Incredibly suffocating to experience a day of the Hong Kong riots so close. In my holiday-influenced July, I did hear and read about the situation, but unfortunately I didn't learn about it too much. Therefore, it feels even more extreme to be thrown into this moment at the beginning of the 14+ Short Film Roll 2. Despite the brevity of the film, one arrives immediately within the scene. The camera fits seamlessly into the group dynamics. Everyone around is too busy to shy away ...

The wind phone as an emotional escape

After Yuki & Nina in the 2009 Kplus programme, Nobuhiro Suwa returns to the Generation programme with another film. His new film Kaze No Denwa is in the 14+ programme. The day after the world premiere he takes a whole hour for Clara and me to answer our questions about the shooting process, the situation in Japan and other things. We make ourselves comfortable in the lounge of the Hotel Berlin, Berlin and exchange thoughts about Kaze No Denwa, Japan and the world with nice background music, while Isabelle kindly translates for us. Free Generation Reporters : How did the film team come together and how did you find Serena Motola, Haru's actress? Nobuhiro Suwa : It has been 18 years since I shot my last film in Japan. Since 2002, I have actually only worked with French producers. So I didn't know most of my new colleagues before. It was all very exciting and I was quite nervous, but everything went well. We did a casting for Haru, several girls showed up, but in the end ...