Skip to main content

"All Are Equal Before The Law"



A comment on Palazzo Di Giustizia

We find ourselves in a courthouse, two men are accused, one of robbing a petrol station, and the other one, the owner of the station, of shooting one of the two thieves. The latter accuse is discussed that day, both men have a face, a history and most important, a family. While the perpetrators in the court room are separated by bars and may only communicate by looks, their daughters, Luce and Domenica, get in direct contact in front of the room. Luce is very young, a child still, free and sassy and naïve and not quite able to understand the gravity of the situation. She cannot sit still, brings a sparrow with her, that keeps on escaping and has to be searched all over the courthouse, she plays in a puddle, collects glitter from the ground and brings a technician to share his food with her. And then there is the adolescent Domenica, who is trying to help her father and has a much better understanding of the situation, but still would love to be able to ignore the depth of it all. And those two characters are getting confronted with each other.



It is quite the interesting point of view from which to tell a story. Questions about the complexity of the humankind, justice and prejudices arise and even a discussion about whether a murder as an act of defence may be forgiven or not, could be sparked.

The actors are doing, regarding their age, a good job and I find the setting of the film really fascinating. Watching the characters while they are waiting is a cool way to get to know them, seeing how they are behaving, communicating and how they are dealing with the circumstances. Also their relationship and the way they are getting to know each other are quite an interesting. The only problem is that, in my opinion, the whole story is already told after very little time. How the relations are going to change becomes clear very quickly, the storyline and the characters are not complex enough to carry the story for 90 minutes, the plot of the movie doesn’t really develop, small events do occur, but nothing, that really helps guiding the film. The narrative style changes inconsistently, trying to tell the story from inside as well as outside the court room, the camera is distracted and a love interest, that doesn’t improve the story in any way, is introduced. I am quite sure, that the story could have been told entirely from outside the court room and that the two strong female characters would have been able to carry the story on their own.

So, all in all I think, that the idea itself is a very cool one and combined with the good acting, it could have had a lot of potential for strong dialogues and a proper controversy about the question: “Are we all equal before the law?”. But in the end the length and the content of the film do not coincide, too many topics are just lightly touched and the essential meaning of the movie is getting lost.



Origin of photo material: https://www.berlinale.de/de/programm/programm/detail.html?film_id=202002452&openedFromSearch=true#gallery_gallery-filmstills-1
26/02/2020, Carlotta

Comments

Popular posts from this blog

The wind phone as an emotional escape

After Yuki & Nina in the 2009 Kplus programme, Nobuhiro Suwa returns to the Generation programme with another film. His new film Kaze No Denwa is in the 14+ programme. The day after the world premiere he takes a whole hour for Clara and me to answer our questions about the shooting process, the situation in Japan and other things. We make ourselves comfortable in the lounge of the Hotel Berlin, Berlin and exchange thoughts about Kaze No Denwa, Japan and the world with nice background music, while Isabelle kindly translates for us. Free Generation Reporters : How did the film team come together and how did you find Serena Motola, Haru's actress? Nobuhiro Suwa : It has been 18 years since I shot my last film in Japan. Since 2002, I have actually only worked with French producers. So I didn't know most of my new colleagues before. It was all very exciting and I was quite nervous, but everything went well. We did a casting for Haru, several girls showed up, but in the end

A First Tender Rebellion

„How do you know god exists?“ Spain in the 1990s. At a Catholic school for girls, Celia finds herself on the threshold to teenage life. Slowly she and her friends get into first contact with alcohol and parties, listen to music together, smoke their first cigarette and get tips from teen magazines. However, this is resolved lovingly and gently. No excesses, nothing too dramatic. These are the first experiences of a twelve-year-old. Especially the new girl in class, Brisa from Barcelona, influences Celia. They have a lot in common, but at the same time Brisa cannot identify with the strong Catholicism, something Celia has never questioned. This lets Celia’s world crumble. She begins to question circumstances that she had previously taken for granted. A first tender rebellion begins. At home, the otherwise very intimate relationship with her single mother turns out to be increasingly difficult. Celia begins to demand more and more information about her family's background, even he

The country of possibilities?

"We want to go Disney. One ticket please." - a review of Los Lobos It is the hope that drives the family to the USA. The hope for a better life, less violence, away from the father. A mother with her two sons, who from now on have to spend their time alone in a run-down room. Samuel Kishi Leopo tells the story of his own childhood in Los Lobos, backed up by his brother's music. The brothers Maximiliano and Leonardo Nájar Márquez give an incredible performance. Due to the warm atmosphere on set and the improvisation of Martha Reyes Arias, who plays the mother, it is not difficult for the two to act completely natural. There was a script, but it served more to define the plot than for the dialogues, because Martha gave the two boys all the freedom during the shooting and adapted to it and not only implemented Samuel's instructions herself, but also transferred them to the two boys. The enthusiasm of the audience can be felt from the very first second. The U