Skip to main content

"All Are Equal Before The Law"



A comment on Palazzo Di Giustizia

We find ourselves in a courthouse, two men are accused, one of robbing a petrol station, and the other one, the owner of the station, of shooting one of the two thieves. The latter accuse is discussed that day, both men have a face, a history and most important, a family. While the perpetrators in the court room are separated by bars and may only communicate by looks, their daughters, Luce and Domenica, get in direct contact in front of the room. Luce is very young, a child still, free and sassy and naïve and not quite able to understand the gravity of the situation. She cannot sit still, brings a sparrow with her, that keeps on escaping and has to be searched all over the courthouse, she plays in a puddle, collects glitter from the ground and brings a technician to share his food with her. And then there is the adolescent Domenica, who is trying to help her father and has a much better understanding of the situation, but still would love to be able to ignore the depth of it all. And those two characters are getting confronted with each other.



It is quite the interesting point of view from which to tell a story. Questions about the complexity of the humankind, justice and prejudices arise and even a discussion about whether a murder as an act of defence may be forgiven or not, could be sparked.

The actors are doing, regarding their age, a good job and I find the setting of the film really fascinating. Watching the characters while they are waiting is a cool way to get to know them, seeing how they are behaving, communicating and how they are dealing with the circumstances. Also their relationship and the way they are getting to know each other are quite an interesting. The only problem is that, in my opinion, the whole story is already told after very little time. How the relations are going to change becomes clear very quickly, the storyline and the characters are not complex enough to carry the story for 90 minutes, the plot of the movie doesn’t really develop, small events do occur, but nothing, that really helps guiding the film. The narrative style changes inconsistently, trying to tell the story from inside as well as outside the court room, the camera is distracted and a love interest, that doesn’t improve the story in any way, is introduced. I am quite sure, that the story could have been told entirely from outside the court room and that the two strong female characters would have been able to carry the story on their own.

So, all in all I think, that the idea itself is a very cool one and combined with the good acting, it could have had a lot of potential for strong dialogues and a proper controversy about the question: “Are we all equal before the law?”. But in the end the length and the content of the film do not coincide, too many topics are just lightly touched and the essential meaning of the movie is getting lost.



Origin of photo material: https://www.berlinale.de/de/programm/programm/detail.html?film_id=202002452&openedFromSearch=true#gallery_gallery-filmstills-1
26/02/2020, Carlotta

Comments

Popular posts from this blog

OCHITE MI SINI, ROKLJATA SHARENA

OCHITE MI SINI, ROKLJATA SHARENA Blau meine Augen, bunt das Kleid Regie Polina Gumiela Deutschland 2020 Produktion Polina Gumiela Buch Polina Gumiela Kamera Polina Gumiela Montage Polina Gumiela mit Zhana Henkes Bulgarisch dt. Einsprache · engl. UT · 55 Min. Dokumentarische Form empfohlen ab 5 Jahren Mo, 24.02. 13:00 Uhr Zoo Palast 2 Di, 25.02. 09:30 Uhr Filmtheater am Friedrichshain Do, 27.02. 11:00 Uhr Cubix 8 Fr, 28.02. 11:00 Uhr CinemaxX 1 Sa, 29.02. 10:00 Uhr Urania Neugierig und selbstbewusst erkundet die dreijährige Zhana über mehrere Sommertage hinweg ihre Umgebung. Auf ihrem Weg macht sie Entdeckungen und erlebt mutige, kleine Abenteuer. Sie hüpft durch Pfützen, lernt Katzen und Hunde kennen und macht sich ihren eigenen Reim auf die Spiele der älteren Kinder. Zhanas Welt sind die Spielplätze, die kleinen, friedlichen Straßen und Plätze einer bulgari- schen Wohnsiedlung, in der die Zeit stehen geblieben zu sein scheint. Immer auf Augenhöhe begleitet das dokum...

About the Perception of Women in Spain in the 90s

Las Niñas is a film in this year’s Generation program with a strong young female protagonist first becoming aware of the world’s inequalities between boys and girls and its injustices. It is set in the 90s in Spain. I was lucky enough to get in tough with the films director Pilar Palomero and ask her a few questions: freie Generation Reporter: Can you tell me a bit about the background of the film? Pilar Palomero: The film is not autobiographical, but a lot of my childhood experiences have flown into Las Niñas. A few years ago, when I was thinking about making a film about my education, I found my notebook from my religion class in grade 6. I read an essay, which is exactly the one that appears in the film, where the nun explains the girls sexuality. At the first moment I laughed at the thought of what kind of education we got but then I started to realise how contradictory it was. It was 1992 and they were talking to us about sexuality, chastity and only having sex in the marriage...

Between uproars and spa days

Hong Kong, July 28, 2019. Screaming, tear gas, gunfire. One, two, retreat from the front line, push forward. We are in the midst of Hong Kong's protests and uprisings last summer. We march with the masses, hiding behind the shields, seeing our comrades shouting commands, keeping moving, fainting, being carried away. Everything is chaotic and frightening, but still organized and controlled. For 15 minutes I hold my breath, my heart is racing and at the same time keeps skipping beats. It is suffocating. Incredibly suffocating to experience a day of the Hong Kong riots so close. In my holiday-influenced July, I did hear and read about the situation, but unfortunately I didn't learn about it too much. Therefore, it feels even more extreme to be thrown into this moment at the beginning of the 14+ Short Film Roll 2. Despite the brevity of the film, one arrives immediately within the scene. The camera fits seamlessly into the group dynamics. Everyone around is too busy to shy away ...