Skip to main content

The world is blue as an orange


A poem about the Ukrainian documentary film "The earth is blue as an orange". 

SCENE 1 TAKE 4 
The sound of bombs destroys houses and thoughts 
at night her child sleeps with open eyes 
The moon hides behind tired chimneys 
so it doesn't have to see the bullet holes: 
Blue window frames 

In the shadow of the Eastern Bloc buildings they step on the sound of shards 
and surrealism embraces reality 
A family on the borderline films 
the orange dust from Красногорівка 
"Сподіваюся" 

The focal length of children's dreams reaches as far as Kiev 
where you hold the lens on rippling fountains 
The mirror reflex has become weak 
but the pulse is still high 
"Yesterday the sky was red" 


Orange laughter drowns out the grey 
and the saxophone playing is louder than the bombs 
The toy tank drives over grandma's back 
and all I can think about is: 
Why did the hills turn black and white? 

Many have gone, she sits on the blue 
the city has sighed itself empty and the cat is playing 
In the garbage the cutten hair 
A blue balloon sits lonely in the tree 
"War is emptiness" 

First the night train rattles through 
high grass, grows over playgrounds 
The snow falls into the cellar hours 
covers his ears and thinks: 
The world is blue, like an orange
01.03.2020, Liv Thastum

Comments

Popular posts from this blog

Between uproars and spa days

Hong Kong, July 28, 2019. Screaming, tear gas, gunfire. One, two, retreat from the front line, push forward. We are in the midst of Hong Kong's protests and uprisings last summer. We march with the masses, hiding behind the shields, seeing our comrades shouting commands, keeping moving, fainting, being carried away. Everything is chaotic and frightening, but still organized and controlled. For 15 minutes I hold my breath, my heart is racing and at the same time keeps skipping beats. It is suffocating. Incredibly suffocating to experience a day of the Hong Kong riots so close. In my holiday-influenced July, I did hear and read about the situation, but unfortunately I didn't learn about it too much. Therefore, it feels even more extreme to be thrown into this moment at the beginning of the 14+ Short Film Roll 2. Despite the brevity of the film, one arrives immediately within the scene. The camera fits seamlessly into the group dynamics. Everyone around is too busy to shy away ...

The wind phone as an emotional escape

After Yuki & Nina in the 2009 Kplus programme, Nobuhiro Suwa returns to the Generation programme with another film. His new film Kaze No Denwa is in the 14+ programme. The day after the world premiere he takes a whole hour for Clara and me to answer our questions about the shooting process, the situation in Japan and other things. We make ourselves comfortable in the lounge of the Hotel Berlin, Berlin and exchange thoughts about Kaze No Denwa, Japan and the world with nice background music, while Isabelle kindly translates for us. Free Generation Reporters : How did the film team come together and how did you find Serena Motola, Haru's actress? Nobuhiro Suwa : It has been 18 years since I shot my last film in Japan. Since 2002, I have actually only worked with French producers. So I didn't know most of my new colleagues before. It was all very exciting and I was quite nervous, but everything went well. We did a casting for Haru, several girls showed up, but in the end ...

The language of visuals

„They take the gold and throw away the chest. That chest is our country.“ Mongolia is considered to be one of the ten most resource-rich countries in the world. Foreign investors have transformed one fifth of Mongolia to mining areas. Nature is being destroyed, the daily life of local people is affected. Byambasuren Davaa, known for „The story of a weeping camel“, takes her new feature film „Veins of the World“ to this year's Berlinale Generation, in which she portraits a nomad family, living in a region that is about to become mining area. In strong cinematographic pictures, the film tells a story about a young boy and his big dream, about the loss of a father, about love to nature and the soul of Mongolian mountains. THE NATURE “Veins of the world” transports a feeling for Mongolian nature through its powerful visuals. Panoramas of Mongolian nature and mining areas alternate with close-ups of the nomads and their changing life. The man behind those strong cinematic pictures i...