Skip to main content

LAS NIÑAS

LAS NIÑAS
Schoolgirls

Regie Pilar Palomero
Spanien 2020

Produktion Valérie Delpierre, Alex Lafuente
Buch Pilar Palomero
Kamera Daniela Cajías
Montage Sofi Escudé
Musik Carlos Naya
mit Andrea Fandos, Natalia de Molina, Zoé Arnao, Julia Sierra, Francesca Piñón, Ainara Nieto, Elisa Martinez, Carlota Gurpeguí

Spanisch
dt. Einsprache · engl. UT · 97 Min.
empfohlen ab 11 Jahren

So, 23.02. 13:00 Uhr Urania
Mo, 24.02. 15:30 Uhr Filmtheater am Friedrichshain
Mi, 26.02. 17:00 Uhr Cubix 8
Fr, 28.02. 09:30 Uhr Zoo Palast 1

Im Chor der katholischen Mädchenschule darf Celias Stimme nicht erklingen. In stummer Akzeptanz hat sie sich den konservativen Geboten einer von Farben und Individualität weitestgehend ent- sättigten Umgebung angepasst. Die Ankunft der neuen Mitschülerin Brisa rüttelt Celia aus ihrem Gleichmut und weckt an der Schwelle zur Adoleszenz ihr Begehren nach den verschiedenen Facetten und Nuancen des Lebens. Schnell werden die beiden Vertraute und Ver- bündete gegen die starren Regeln der Autoritäten. In kleinen Gesten der Rebellion findet Celia den Mut, ihre wachsenden Zweifel an der bestehenden Werteordnung im Spanien der 1990er-Jahre auszu- drücken. Sie formuliert Fragen nach ihrer Herkunft, über die Celias Mutter sich bislang ausgeschwiegen hat.

In the Catholic girls‘ school choir, Celia‘s voice must not be heard. But her mute acceptance of the conservative dictates of an environment utterly bereft of colour and individuality is soon shaken up by the arrival of a new classmate, Brisa. Standing on the threshold of adolescence, Celia discovers a thirst for life in all its multifaceted glory. A bond quickly develops between the two girls, and together they rail against the authority figures and their rigid rules. In small acts of rebellion, Celia finds the courage to express her growing distrust of the value system governing her world in 1990s Spain, as questions start to form about her own family background – a topic on which her mother has always kept silent.

Comments

Popular posts from this blog

The wind phone as an emotional escape

After Yuki & Nina in the 2009 Kplus programme, Nobuhiro Suwa returns to the Generation programme with another film. His new film Kaze No Denwa is in the 14+ programme. The day after the world premiere he takes a whole hour for Clara and me to answer our questions about the shooting process, the situation in Japan and other things. We make ourselves comfortable in the lounge of the Hotel Berlin, Berlin and exchange thoughts about Kaze No Denwa, Japan and the world with nice background music, while Isabelle kindly translates for us. Free Generation Reporters : How did the film team come together and how did you find Serena Motola, Haru's actress? Nobuhiro Suwa : It has been 18 years since I shot my last film in Japan. Since 2002, I have actually only worked with French producers. So I didn't know most of my new colleagues before. It was all very exciting and I was quite nervous, but everything went well. We did a casting for Haru, several girls showed up, but in the end ...

Between uproars and spa days

Hong Kong, July 28, 2019. Screaming, tear gas, gunfire. One, two, retreat from the front line, push forward. We are in the midst of Hong Kong's protests and uprisings last summer. We march with the masses, hiding behind the shields, seeing our comrades shouting commands, keeping moving, fainting, being carried away. Everything is chaotic and frightening, but still organized and controlled. For 15 minutes I hold my breath, my heart is racing and at the same time keeps skipping beats. It is suffocating. Incredibly suffocating to experience a day of the Hong Kong riots so close. In my holiday-influenced July, I did hear and read about the situation, but unfortunately I didn't learn about it too much. Therefore, it feels even more extreme to be thrown into this moment at the beginning of the 14+ Short Film Roll 2. Despite the brevity of the film, one arrives immediately within the scene. The camera fits seamlessly into the group dynamics. Everyone around is too busy to shy away ...

The language of visuals

„They take the gold and throw away the chest. That chest is our country.“ Mongolia is considered to be one of the ten most resource-rich countries in the world. Foreign investors have transformed one fifth of Mongolia to mining areas. Nature is being destroyed, the daily life of local people is affected. Byambasuren Davaa, known for „The story of a weeping camel“, takes her new feature film „Veins of the World“ to this year's Berlinale Generation, in which she portraits a nomad family, living in a region that is about to become mining area. In strong cinematographic pictures, the film tells a story about a young boy and his big dream, about the loss of a father, about love to nature and the soul of Mongolian mountains. THE NATURE “Veins of the world” transports a feeling for Mongolian nature through its powerful visuals. Panoramas of Mongolian nature and mining areas alternate with close-ups of the nomads and their changing life. The man behind those strong cinematic pictures i...